GAS Member Monday

MEMBER MONDAY: John Moran, Belgium


Tell us about yourself! (Background, name, location, work, how you began working with glass, etc.)

Hey guys, my name is John Moran, or as still many people refer to me: Sleepy. I am originally from Philadelphia, but am currently living in Ghent, Belgium where I started a public studio: Gent Glas – check it out. Right now, I am a Ph.D. candidate at The Eugeniusz Geppert Academy of Art and Design in Wrocław, Poland and splitting my time between the two cities.


What draws you to the material you work with, and why have you chosen the processes that you use in your work?

Initially what interested me in glass was the teamwork aspect of the material and the community around it. As my work mainly deals with people, it seemed like the perfect material to work with. It took me a while to figure out how to start making realistic-ish people; when I first began working with glass, it seemed like something completely impossible. The fact that we are a part of a movement that is still developing and evolving is exciting and challenging.


What themes do you pursue in your work?

As a Libra, my work deals with social injustice and the current political environment, with a nice little critique of Religion and Capitalism mixed into the fold.


What is your dream project?

A collaboration with Chuck D.


If you weren't working in this field, what career would you choose?

I think I would make a good bartender. Gent Glas is a fully functioning glass studio with an attached bar. As a way to introduce glass making to the local community, the bar is a great way to get people to hangout and watch a five-hour sculpture being made. I pretty much do as many of the jobs as possible in the studio or at least have done them, the one I am most fond of after making glass is bartending. I am not a good salesman, but I can sure convince drunk people to drink another beer.


Why are you a member of GAS?

The community.


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MEMBER MONDAY: Abegael Uffelman, Pennsylvania


Tell us about yourself!

My name is Abegael Uffelman and I am originally from Olney, Maryland. I began working with glass at Tyler School of Art in Philadelphia, PA, where I am receiving my Bachelor of Fine Arts.


What draws you to the material you work with, and why have you chosen the processes that you use in your work?

Glass is a very specific medium that has certain qualities you can’t find in any other medium. I choose the medium I work with very carefully, considering what it does conceptually to my work. Its fragile, transparent, malleable nature, with various ways to manipulate it, allows me to use it in whichever way I need for each unique piece.


What themes do you pursue in your work?

My work spans several different topics, but my most recent body of work is about the impact of my adoption, and how being a Korean born adoptee with white American parents has affected my life on both a personal and socio-political level.


If you weren't working in this field, what career would you choose?

For a while, my dream was to be a tattoo artist. I still think it’s in my future.


Why are you a member of GAS?

I am a member of GAS because of the opportunities it provides for me as a young, emerging artist. Being able to go to the GAS conferences for the past two years has been an eye-opening experience. I was able to meet artists, whose work I have been following for a long time, and see them demo in person, which is incredibly inspiring.


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MEMBER MONDAY: Mariah Armstrong Conner, Vista, California

Tell us about yourself! (Background, name, location, work, how you began working with glass, etc.)

Hi! My name is Mariah Armstrong (Conner), an artist and educator based in San Diego, California. My background was in painting, drawing, and ceramic sculpture, but after completing my BA (College of Idaho, 2007) I finally had the opportunity to take a hot shop class at Palomar College, and fell into the glass vortex! In 2018 I finished my MFA at Cal State, San Bernardino, and have since been helping to assemble a 2500 sq. ft. glass and ceramic mosaic of California sea life for the Walter Munk Foundation For The Oceans.


What draws you to the material you work with, and why have you chosen the processes that you use in your work?

Glass is my favorite material because it interacts with light in such a dynamic way, and its optical properties can both complicate and clarify what we see through it. I enjoy combining multiple mediums and various glass processes, including creating transparent blown forms and filling them with found plastic marine debris for Tipping Point Project, a series of installations about plastic pollution/climate change. I also love hot sculpting/garage assembly, because of the challenges and comradery that emerge while creating a complex object in the hotshop!


What themes do you pursue in your work?

My work explores how humans relate to reality (nature, time, objects) and alludes to precariousness, fragility, the ephemerality of life, and the constant potential for distortion and misperception. I’m influenced by biological forms, geology, archeology and anthropology, plastic objects I find washed ashore, and imaginings of what might eventually become the artifacts of our time.


What is your dream project?

I’m always trying to square my desire to protect our planet with using such an energy-intensive material, so I’d say my dream is to help develop more environmentally friendly and sustainable methods for working with glass, both within my own practice and to share with the community.


What's something about you that most people don't know?

It’s no secret that I love animals, but most don’t know that I had wild rescue pets: a fawn, a chipmunk, and a hummingbird! Also, I’ve kissed a whale.


Why are you a member of GAS?

I really appreciate how GAS helps to connect the coolest (or maybe I should say hottest) people- the international glass community.  I haven’t missed a conference for the past 5 years because I learn so much every time, and reconnecting with friends from all over, seeing or assisting with demos, and maybe even catching a glass fashion show, is all too good to pass up!

Website: Instagram: @mariaharmstrongart

Vimeo Link of one of my installations, "Optical Delusions":



MEMBER MONDAY: Paula Pääkkönen, Nuutajärvi, Finland


Tell us about yourself!

My name is Paula Pääkkönen and I work in Nuutajärvi, Finland, where the glass blowing tradition goes back 226 years. I first got to touch hot glass in 2010 when I started studying Ceramic and Glass design in Kuopio Academy of Design. It was love at first sight. After graduating as a designer I have studied glass blowing in Nuutajärvi a total of 3,5 years getting two different degrees in glass blowing. I now work as a freelance glassblower for artists and designers and also make my own products and art.

What draws you to the material you work with, and why have you chosen the processes that you use in your work?
I’m fascinated by the never-ending possibilities of glass and the way glass depicts color. I love to challenge myself learning new techniques and pushing my skills to their limits. I’m inspired by different glass blowing techniques and for me working with glass is like sketching in 3D – when I’m working on one idea, it might spark another one in the middle of the process and lead to a whole new series of work. 

What themes do you pursue in your work? 
Inspiration comes always from my inner world. My connection to nature. My connection to the world and people. My emotions, feelings, sense of humor. The memory of a child’s imagination, where common things become magical and the proportions of the world vary and change in time. 
The themes are often very different depending on whether I’m creating art or a product to be used.

What is your dream project?
Right now I’m dreaming of creating my first solo exhibition, a series of work investigating the theme of taste and tackiness. I’m wondering if I can make art so tasteless it actually becomes interesting. Like a joke so bad, it’s actually funny.

What's something about you that most people don't know?
I considered applying for an elf school in Lapland, Santa’s Village. Could’ve been a professional elf.

Why are you a member of GAS?
I feel like GAS is a great platform to connect to the international glass family and to share the passion for glass. I’ve also attended one GAS-conference in Murano and hope to attend many more!


Instagram @pau_ladesign

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MEMBER MONDAY:  Ana Laura Quintana, San Nicolás , Argentina


Tell us about yourself!

My name is Ana Laura Quintana. I am an Argentine interior designer and love to materialize the pieces that I design.


What draws you to the material you work with, and why have you chosen the processes that you use in your work?

The glass is perfect for me as a way of expression; you can work it employing so many techniques… I started with this material making stained glass panels. But afterward, to work it in the kiln fascinated me. It is extremely interesting to design a piece thinking how the heat will change the state of the glass so that piece will transmit what I want. 


What techniques do you pursue in your work? 

My favorite technique is pâte de verre, not only because of its sculptural possibilities and the exact colour placement but also because it invites me to experiment a lot. 

I am currently working a paste of glass as a cloth that you can model. The result are very thin and even ethereal pâte de verre vessels, that can sound like bells when they hit with each other because of its hardness, and also they can contain water and float.

I always use curving lines and round forms, that connect me with nature giving harmony to my designs.


Why are you a member of GAS?

To be a member of GAS is important for me as a glass artist since it provides me information about international events, and keeps me connected with glass artists from everywhere.


Ana Laura Quintana has a lovely video on YouTube.




MEMBER MONDAY: Tate Newfield, California

Ubu Blue Force

Tell us about yourself!

My name is Tate Newfield, I started blowing glass at Punahou Academy in Hawaii, I'm currently a Technician Apprentice at the Pittsburgh Glass Center. I needed to graduate high school and my advisor told me I had to take an art class so I decided to take glassblowing and that’s how I got hooked!


What draws you to the material you work with, and why have you chosen the processes that you use in your work?

What draws me to glass is the malleability of the surface, it feels like a 3D modeling program in real life. The process of combining multiple glass objects to create one seamless form has intrigued me as it pushes the scale and complexity of what a "blown" glass object can be. The cold assembly process allows me to go beyond the human capabilities within the hot shop.


What themes do you pursue in your work?

The themes I pursue are those of foundational communication. I look to build sculptures or models that confirm the viewer's imagination. 


What is your dream project?

My dream project is to be given a large room to develop a glass sculpture that is one continuous seamless form that spreads from floor to ceiling and splits and rejoins in many locations. 


Why are you a member of GAS?

I am a member of GAS because of how important this organization is to emerging glass artist. The Glass Art Society has provided me with guidance and networking from one-on-one critiques with professional artist and with inspiration from meeting other incredibly talented members.



MEMBER MONDAY: Lisa Naas, Glasgow, Scotland

Flight Gesture. Kiln-formed glass. Image by Alex Hall


Tell us about yourself.

Right now, I’m an American transplant in Scotland and a PhD candidate at Edinburgh College of Art, with my thesis deadline looming. I’m in the throes and woes of my final year, writing up my dissertation, which explores the medium of glass and the glass studio as a staging ground for creativity research.


What draws you to the material you work with?

I really enjoy that glass is so ubiquitous in our lives that we often take it for granted, and yet it has been at the forefront of innovation for centuries. For me, glass material offers an endless source of conceptual exploration as it inherently has contradictory physical properties and characteristics that I find so interesting.


What themes do you pursue in your work, and why have you chosen the processes that you use in your work?

Themes of the body—with gesture, emotion, or sense—are almost always present, including within my most recent collaboration, where we tried to make glass more approachable and touchable through interactive technologies. My work takes on a variety of forms, from sculpture to installation to film to hand-bound books, and while glass is always a primary medium, I choose the processes and format that best express the project concepts.


If you weren't working in this field, what career would you choose?

I think I will always be involved with the arts in some way, shape, or form. Before I arrived in Edinburgh for my glass studies, I was Director of Operations and Student Life for the Boston University Tanglewood Institute—the inspiration and passion of the students, the faculty, my coworkers, and the Tanglewood Festival artists, pushed me back into the studio for my own artwork.


What is your dream project?

I would love to return to Tanglewood with my husband, composer David Faleris, and be artists-in-residence together to develop and present new work to the incredible arts community that gave us our start. David and I began collaborating shortly after we left Tanglewood to go abroad and just co-authored an article ( about our most recent work capturing, preserving, and sharing the sounds of glassmaking through music and glass objects.


Facebook: Lisa Naas Faleris
Instagram: @lisaanddave
Twitter: @inconcert_glass
Recent Publication:
ECA Profile:



Kiln-formed glass. Image by Lisa Naas


Recording the Sounds of Glassmaking
Process for Makers Marks project. Image by David Faleris


Detail of Sounding Glass in Exhibition. Blown glass, copper, electronics. Image by Alkistis Terzi




Caroline O'Connor

MEMBER MONDAY: Caroline O'Connor, Essex, ENGLAND

Tell us about yourself!

My name is Caroline O’Connor and I live in Essex, England.  My background prior to glass was as a product developer for Fashion & Textiles.  I began working with glass in 2014 and graduated with an MA in Glass 2016 under the glass mentorship of Colin Webster at the University of the Creative Arts in Farnham in Surrey. 

What draws you to the material you work with, and why have you chosen the processes that you use in your work?

Playing with glass in its molten state is quite hypnotic, magical and addictive. During my degree, I focused on blown glass and coldworking in monochromatic shades to mirror the vision of the blind & dolphins.  I recently discovered optical glass and the wonderful world of dyes whilst taking a scholarship class with Martin Rasol & Tomo Sakai at Corning and am starting to explore this in my current work.

What themes do you pursue in your work?

The context of my work to date has been to question human perceptions of disability and our own centric view of intelligence.  Exploring the extraordinary abilities of dolphins to see through objects with sound led to a hypothesis of possible pictorial communication in dolphins.  The clear benefits to human’s that use sound to see have been pioneered by Daniel Kish at World Access for the Blind.  ‘A Sea of Horns’ is an installation piece which is a metaphor to help the public ‘see through sound’.  The horns in my work are a representative symbol of sound in its primitive form to raise awareness of our free ability to echolocate when blind.

What is your dream project?

I would like to do a glass installation in an old church ruin or graveyard. 

If you weren't working in this field, what career would you choose?

Marine Biologist or Sound Healing.  There is a lot more to be discovered within this field in relation to its healing effects on diseases such as cancer with targeted high frequencies.

What's something about you that most people don't know?  My best ideas come in lucid dreams.  I am very interested in the conscious and unconscious mind states.

Why are you a member of GAS?

I joined GAS in 2014 after a visit to Corning Glass Studio.  The United States is a melting pot for glass artists across the globe to come together and merge diverse techniques in a highly supportive atmosphere. 

Tol learn more about glass artist Caroline O'Connor, go to her GAS Member Profile Page.


Or, her personal website:


IMAGE: "Rock n' Roll- Do you have a soul?"

Piece gently rocks and rolls when touched. Blown glass in monochromatic grey and clear shades. 

Steven Ramsey 2


Tell us about yourself!

I grew up in Houston, Texas and during High School, I worked for a glass company making torch-worked novelty items. That experience was enough to become enamored with the material; there was an immediate affinity to the working qualities of hot glass. 

What draws you to the material you work with, and why have you chosen the processes that you use in your work? 

The one lesson I learned long ago that seems to have imprinted itself on everything that I do is to allow the material to express itself in a way that enhances the form and/or content of the work.


What themes do you pursue in your work?

My work is based on the narrative. The themes for my work derive from numerous sources: literary works: myths, legends, and local folklore are often the primary catalyst although I strive to go beyond mere illustration to bring some aspect about human experience and identity to the work.

What is your dream project?

There are a few non-glass artists that I would like to collaborate with, but my dream would be to have more time to devote toward a technical exploration of new digital technologies, however, there is enough possibility in what I already do to keep me busy and happy. 

If you weren't working in this field, what career would you choose?

Working as an educator, to be able to share my knowledge and passion for glass is very fulfilling. I would be equally satisfied however teaching other studio art classes because of the creative dialog and potential for growth, both for the student and instructor.

What's something about you that most people don't know?

My professional work also includes digital image making and sculptural applications.

Why are you a member of GAS?

A GAS membership is a good way to stay in contact with colleagues and to have access to resources and information that might not otherwise be so easily available. It’s a valuable resource and a way to support the larger glass community at the same time.

To learn more about Steven Ramsey, go to his GAS MEMBER PROFILE PAGE

PHOTO: Bright River, 2017

Feleksan Onar 2


What draws you to the material you work with, and why have you chosen the processes that you use in your work?

My initial attraction to glass as a material is due to its physical qualities: being translucent, the optical effects, the depth in the colours, being fragile yet so strong. However, what kept me dedicated to glass is the complexity of working with glass and how it matches or even compliments my character and challenges me.

What themes do you pursue in your work?

Glass is the way I communicate. Through glass, I share my thoughts on past and present social issues, reflect on my heritage and even convey anxieties and expectations of the future. Social and political topics come out regularly in my work as well as the history of the eastern Mediterranean where I live.

What is your dream project?

I do have a dream project in mind and hoping to get to it in 2019/20. ‘Perched, currently displayed at V&A, is a moving display of 99 mold-blown glass swallows with trimmed wings representing my artistic response to the millions of displaced Syrians who have fled their war-torn home for Turkey. The swallows’ form was inspired by Birds Without Wings, a historical novel by Louis de Bernières (2004). Set during the wars between Greece and Western Turkey in the early 20th century and tells the story of families caught up in mass migrations as the Ottoman Empire broke up.. 41 of these swallows have been presented in the Islamic Art Galleries of V&A since June 16, 2018, and will continue to show there through April 22, 2019. Their initial presentation was in the Aleppo Room of Pergamon Museum earlier in 2018. I would like them to be shown in yet another major museum or public space in North America and afterwards my dream is to organise an auction to raise funds for an organisation like UNHCR for the refugees as they finally find their permanent homes.

If you weren't working in this field, what career would you choose?

I think ı would have been a great diplomat in foreign relations but not for our 21st century world:) I enjoy connecting people and cultures, creating win/win solutions. But then again I see myself as a lawyer as I have a very rational mind or as an architect as I love thinking in three dimensions 

What's something about you that most people don't know?

Maybe the fact that I love animals. At home, we have six dogs and 2 are rescue dogs and a parrot and we frequently travel to Africa. In fact, we will be traveling to Botswana and Zambia this spring. My collection ‘ Animal Kingdom’ stems out of such trips to Africa.

Why are you a member of GAS?

It is a great international community to be part of!

To learn more about Feleksan, go to her GAS MEMBER PROFILE PAGE

Or, her personal website HERE.

Current installation, Bliss  at Pera Palace Hotel through March 25th, 2019

41X’  for The Glass Week Venice




What draws you to the material you work with, and why have you chosen the processes that you use in your work?

I did not choose the method of glass blowing. This is this process and this way of working that came naturally to me since my father whom I saw working every day already used this process, and that is also the specificity of our city. Biot is the first French city whose notoriety is coming from this know-how. I also work a lot with cold glass.

What themes do you pursue in your work?

I draw inspiration from nature and from what it offers in the most beautiful and purest form. But for a few years, I have been completely captivated by the Mediterranean, its landscapes, its cultures, its citizens, its wealth, its colors. My artistic work is therefore imbued with this inspiration and I create installations and pieces that offer a different perspective on these civilizations. I revisit old objects, like the amphora of my collection "Vestiges Contemporains".

What is your dream project?

I am working on a project that is close to my heart but that will require years of work. This project is about the Mediterranean and its civilizations. Of course, my dream would be to awaken consciences, and show that the differences between the Mediterranean peoples and others is wealth. I have the dream that this universal artistic project can defend at its level the values that are important to me: humanity and sharing.

If you weren't working in this field, what career would you choose?

I imagine that I never asked myself the question because I have been in this universe since my youngest age and I never saw myself doing anything else. If I had not worked with glass, I may have evolved one way or another towards an artistic career as my need for creation is visceral. 

What's something about you that most people don't know?

I have inside of me stress and anxieties which, even with the years, do not stop growing. Only artistic creation frees me from my demons, and that's certainly why all my creations have something deeply serene and relaxing.

To learn more about Antoine Pierini and his work, go to his GAS MEMBER PROFILE PAGE 

Instagram :

Facebook :

Photo: Dunes Collection


Sini Majuri



Tell us about yourself! 
My name is Sini Majuri and I live and work in Helsinki, Finland. I got obsessed with glass when I saw a sculpture by iconic Finnish designer Oiva Toikka in 2008. My video art installation was in the same space next to it - and it was love at first sight. After my art & design studies in Aalto University, I have been approaching the material from the viewpoint of Scandinavian tradition, combining it to modern 3D-design.

What draws you to the material you work with, and why have you chosen the processes that you use in your work?
Glass is one of the key technologies that modern science has evolved from – through the invention of the lens. It is a medium that can be serene and wild at the same time. It bends light and has interesting optical properties. So, when I’m working with glass, I have a sexy material that is like no other. 

Many of my sculptural works are surreal narratives inside thick glass and have hidden details in them that can only be seen from an exact angle. It’s like solving a riddle. In this kind of sculptures, glass is actually a perfect medium for creating something poetic in a three-dimensional way.  

What themes do you pursue in your work?
In 2018 my glass vase collection Jungle was launched by DutZ Collection and exhibited in design fairs around Europe and China. The idea in the 500-piece limited edition series was that the vases are more than mere interior design objects. Each hand shaped piece has a unique character - the soul of the object. I also wanted to work with extremely thick glass that makes the pieces look weightless. In 2019 I will introduce new models of the Jungle collection that are created with traditional steam stick technique. 

What is your dream project?
I love to mix glass with science and technology. Doing something with NASA would be cool. So, if they are planning to blow glass in zero gravity any time soon, just give me a call!

If you weren't working in this field, what career would you choose?
Before I became a glass designer I was creating unique wedding dresses and sculptural fashion pieces. I actually still combine fashion with glass and many of the silk screening techniques I have used with my cloth pieces have evolved into glass. At the moment, I’m designing a piece that has leather and silk in it. 

What's something about you that most people don't know?
In the past I lived on the Arctic Circle in Rovaniemi. On winter nights I walked to the middle of the icy river to see Northern lights. Watching the Aurora Borealis dance in the silence of complete darkness is magical.

Why are you a member of GAS?

It’s a great platform for glass people to connect and see what’s happening all around the World!


To learn more about Sini, go to her GAS MEMBER PROFILE PAGE

Or, her personal website HERE

On Instagram @sini_majuri

PHOTO: Jungle Blue Green series


Justin Giusti


Tell us about yourself!

My name is Jason Giusti and I am a glass artist who lives on the Eastern Shore of Maryland, Bishopville to be exact.  I spent most of my high school days covering whatever surface was in front of me with drawings and doodles.  So when my father said you have to go to college I chose Art as my major, after enrolling at Salisbury University in Maryland.  Starting out mainly working in two-dimensional art, including Graphic Design, I happened upon a place in the art building that was vibrant and full of characters engaging in a more physical art that involved fire.  I wanted to do that.  

What draws you to the material you work with, and why have you chosen the processes that you use in your work?

I began taking classes in glass in 2004 at the university and was hooked.  The immediacy of manipulating a material that you cannot touch with your bare hand is still inspiring and I strive to learn new tips and tricks every day I enter the studio or watch videos of other artists working in the hot shop.  After finding hot glass I never looked back.  I torched my MacBook and said goodbye to Graphic Design, it just wasn't for me.  The warmth of the furnace, the ache of my hands after a work day keeps me coming back for more.  I never found satisfaction in working through a computer screen.  

What themes do you pursue in your work?

The work I make is fun and I just hope people look at it and smile.  I am not into deep meaning in an object. I want people to see something familiar and gratifying in my hot glass creations. 

Why are you a member of GAS?

I continue to be a member of the Glass Art Society because I love to see other people’s work.  To know that there are others out there exploring through the medium of glass.  GAS keeps us stitched together, connecting people through its conferences or just the online message board.  It’s nice to know there are other glass addicts like me out there and I can contact them for advice or just to say, I love your work!

To learn more about Jason, go to his GAS MEMBER PROFILE PAGE 

Follow him on Instagram at @jagglass


Hannah GibsonMEMBER MONDAY: Hannah Gibson, Farnham, UNITED KINGDOM

Tell us about yourself!

By way of an introduction, my name is Hannah Gibson. I grew up in North Wales, overlooking the sea, now living near Guildford, around an hour away from London. My background is in Geology, which I studied at Edinburgh University. 

I recently completed an MA in Glass at the University for the Creative Arts in Farnham, where I am now Artist in Residence.

Studying Geology at the University of Edinburgh I became fascinated by the mineralogy and the reactions between various elements, metals, and compounds. This led me towards a passion for the alchemy of Glass. 

What is your dream project?

Capturing the nostalgic imagery of childhood, exposing hidden narratives through cast sculptural glass stands at the core of my work.  Passionate about sustainability and recycling, I use only 100% recycled glass, and found objects. Be it television glass, glass from mobile phone screens, car windscreens, bottles…The opportunities are endless.

The project I am currently working on, which is my dream project, is called Recycling Narratives, Whispering Sweet Nothings.

Sweet Nothings are a series of individual, unique Cast Glass figures. Usually found in pairs, whispering ‘Sweet Nothings’ to one another.  What are they whispering? ‘Unless someone like you cares a whole awful lot. Nothing is going to get better. It’s not.’ (Dr Seuss, The Lorax). 

Something about me that most people don’t know?

I have never grown up.

Why are you a member of GAS?

I am a member of GAS because of the unwavering excitement, the joy, devotion and dedication to glass that the organization brings to our community. I feel it too. Like GAS, I want to share that with as many people as possible.

To learn more about Hannah, go to her GAS MEMBER PROFILE PAGE.

Hannah Gibson Glass on Instagram, Twitter and Facebook



Chris Harman


Tell us about yourself! 
My name is Chris Harman, and I’m the owner/ operator of Seventh Circle Glass in Delaware, Ohio. I graduated in 2008 from The Ohio State University in Glass/Art, after that I did a 3-month residency at Hiroshi Yamano’s studio in Fukui; Japan, and then got my MFA in Visual Art from the Columbus College of Art & Design’s inaugural graduate class in 2012. I taught at the university level for the next 5 years, and left in the spring of 2017 to open my own studio. 

What themes do you pursue in your work?

I love simplicity of line, event color fades, and good design overall. I try to apply these tenants to my art, and my functional work, as much as possible while still being responsive to the medium since everything can change on the pipe no matter how much you plan.

What is your dream project?

I am currently working on my dream project by opening my own hot shop, with the help of my lovely wife and partner, Gwen. We were hot about November and had a good soft opening for the holiday season. Currently, we are in the process of finishing up the cold shop, with the gallery/showroom space to be worked on in the spring and summer. Ideally, I would like to offer apprenticeships for high school students, possibly run college-level classes through Ohio Wesleyan at some point, and offer an alternative showing space for both. I want to try and make the studio be a part of the community as much as possible, while also trying to make sure that interested young people have a good foundation.

If you weren't working in this field, what career would you choose?

There are other aspects of the glass field that all need people in lots of different capacities. I would probably try equipment fabrication, the thought/material process is just as interesting to me as blowing glass and is really satisfying.

Why are you a member of GAS?

Honestly? It’s because of the newsletter! That alone makes the price of membership worth it… but it’s also the larger community that makes it great--the best example is the conference!

To learn more about Chris Harman, go to his GAS MEMBER PROFILE PAGE

Additional links about Chris... 


Robyn Feluch

MEMBER MONDAY: Robyn Feluch, Okotoks, AB, CANADA

What draws you to work with glass?

Glass is an incredibly attractive material that requires endless creativity in the ways of forming and working with it as a medium. Although it is beautiful in every form, it’s often equally temperamental and challenging. This challenge is what draws me to glass. 

What themes do you pursue in your work? 

I have a deep interest in the historical and modern relationships between human and horse. As we all can imagine the horse was instrumental in the advancement of humankind but horses also share a historical connection with glass, as once glass was so valuable that it was traded for horses.  Within my work, I take fragments of equine anatomy, sculptural horses, and equine-based tools formed in glass, to recreate moments of equine and human interactions.

What's something about you that most people don't know?

Something interesting about me that many don’t know is I am a certified riding coach and train horses. Being a coach and training horses is very similar to working with glass; one has to embrace the process, and be patient. The best results always come when you are open to the experience and willing to roll with the punches. 

Why am I a member of GAS?

Being a part of The Glass Art Society is like joining the international glass family. Through conferences that I attended in Corning 2016 and Murano 2018, I feel like I have become so much more connected with both my fellow glass artists and the passion and love we all feel for glass. GAS brings the glass world together through education, connections, and so much more. 

To learn more about Robyn Feluch, go to her GAS MEMBER PROFILE PAGE

Robyn is on social media and can be followed on Instagram @feluchglass and Facebook at Robyn E. Feluch.  Her personal website is

PHOTO: Muzzles by Robyn Feluch


Hilde de Rooij 2

MEMBER MONDAY Hilde de Rooij

Tell us about yourself!

I live and work in Laren, a vivid and green village, in Holland. I study glass art at the glasschool IKA in Mechelen (Belgium). For 8 years, I have worked with glass. I have also worked a lot with textiles in the past.

What draws you to the material you work with, and why have you chosen the processes that you use in your work?

Glass fascinates me; the play with light, transparency and color.

What themes do you pursue in your work?

Themes I often pursue include movement, rhythm, structure and, re-use of 'old' or broken glass.

What is something people don’t know about you?

I am an open book 

What is your dream project?

I just finished a larger work called 'dreams'. Large veils made from antique structured 'white' glass. I want to make more work that is comparable. Dreams in dark blue?

If you weren't working in glass, what would you want to be doing?

If I wasn't working with glass, I would want to be a psychotherapist specializing in dream analysis.

What's something about you that most people don't know?

I want to Believe. 

Why are you a member of the Glass Art Society?

I am a GAS member because I want to stay in touch with kindred spirits who have a mutual enthusiasm for and are inspired by glass. 

To learn more about Hilde de Rooij, see her GAS MEMBER PROFILE PAGE.

Follow her on Facebook, HERE 


Janusz Walentynowicz

MEMBER MONDAY: Janusz Walentynowicz

Tell us about yourself!

My name is Janusz Walentynowicz. I am a Polish-born, Danish / American citizen, working out of my main studio in the US for the better part of the year, and from my Danish studio over the summer months.

After graduating from The School of Applied Arts glass program in Copenhagen in 1982, I came to the US with the intent to study at the ISU glass department for one year, but 37 years later, (10 of these at ISU), I am still finding myself, in the midst of the cornfields of Illinois. 

What draws you to the material you work with, and why have you chosen the processes that you use in your work?

Having started out as an autodidact sculptor working in clay, I discovered glass during my first year at the School of Applied Arts in Copenhagen and knew immediately that this would become “my” material. Working with glass appealed to my natural love of challenge, and I very much appreciated the inexhaustible well of possibilities and discoveries the material had to offer.

Over the years, I have enjoyed exploring and using the material’s inherent qualities, and, in pursuit of expression, I have often chosen to both subdue as well as accentuate these.

For a number of years, my work consisted of blown forms, but I eventually found that the casting process better served the expressive-style I was seeking, and in discovering the possibilities the casting process offered, I seized the opportunity to return to my roots as a sculptor, but now working with a new fascinating material, with new and unique qualities.

What themes do you pursue in your work?

Although I occasionally, (both simply for the love of it, and also for the sake of exploration) make work which mostly seek to fulfill an aesthetic/decorative purpose, the bulk of my production tend to address various aspects of the human condition, questions that reside deep within us, but also responses to events and trends, past and current which impact our existence and, In my opinion, are demanding of attention.

I am one who enjoys having a broad pallet to work with, and cannot accept restrictions when it comes to technique and process. Likewise, when it comes to themes, I have to go where the current mood, notion or inspiration leads me.

What is your dream project?

My sketchbooks contain many sketches of work which may take too long for galleries and collectors alike to connect with and “understand” and are thus, due to the cost of development and production, at present unfortunately unrealizable.

A dream project would be to get 2-3 years financial backing to develop and produce a large body of such work, culminating in a museum show, where financing through sales would not be a necessary factor.

If you weren't working in this field, what career would you choose?

So hard to say, but I would certainly still be found somewhere within the arts. If not on stage as an actor, then very possibly as a musician.

What's something about you that most people don't know?

As much as I enjoy socializing, I also love solitude.

Why are you a member of GAS?

GAS gives the glass community a platform to connect, exchange ideas, find and access resources, and just general relevant information within the glass world . An important tool both for established artist and newcomers alike.

For these and many more reasons, GAS is an organization I find very worthwhile supporting and being a part of.

To learn more about Janusz Walentynowicz, go to his GAS MEMBER PROFILE PAGE

Or, visit the following links...

Personal Webpage

Janusz Walentynowicz Studio Facebook Page

PHOTO: "Gnome Busting Apparatus", 2016, reverse painting on cast glass, steel. 43 X 55 X 1.75




MEMBER MONDAY William Rudolph Faulkner

Tell us about yourself!

Hello!  My name is William Rudolph Faulkner, but most people just call me Rudy.  I am a product of the sweet glass programs that can be found hiding within the Universities all over the States.  My journey began at San Jose State University and was followed up with the graduate program at Southern Illinois University Carbondale.  Then, I moved to Germany and received another MFA in gemstone and jewelry design at the Hochschule Trier in Idar Oberstein.  I am living and working in Berlin as an instructor at Berlin Glas as I continue to develop my own work as a freelance artist. 

What draws you to the material you work with, and why have you chosen the processes that you use in your work?

I have always been drawn in by technique.  I really enjoy when people make something that I can’t figure out. Even better, I like things that I can understand and see how it’s made, but I can’t do it myself. Those people already figured something out on that next level.  Right now I am doing a bit more casting than anything because I want to get better at it and it is the best process for me to get the results that I am looking for. 

What themes do you pursue in your work?

I find it hard to work on the same thing for too long so my work has encompassed many different themes as I cycle through stages of life.   Recently I have been working through ideas about how people separate themselves into groups of “us and them” and what this allows people to think.  This work has moved into abstractions of this idea within the shape my objects take, as I have begun to focus less on direct translation of objects.  Right now, I am really interested in forms of mass population control tactics through an overabundance of information.  Sometimes I find it really hard to know what’s really going on…you know?  Who knows where that will lead me though??

What is your dream project?

Well since we are dreaming…I would love to be part of or help facilitate opening a place in California where all the crafts can be explored and celebrated.  Something for everyone I shared the art departments with at school.  Metals, ceramics, painting, sculpture, textiles blah blah you know them all.  I would have to add the creation of a Tech Team made of people who can work with the different studios to improve energy efficiency and recouping methods.  Imagine having such an energy-consuming place become more efficient using engineers and people who actually love math!  This information could help us all reduce costs and improve efficiency within the studio movement.  I dream of the hydrogen torch as the normal hot sculpting torch.  I mean, we are dreaming right!!?? 

What's something about you that most people don't know?

I want to Believe. 

To learn more about William "Rudy" Faulkner, go to his GAS MEMBER PROFILE PAGE.

Personal webpage: 

Instagram: williamrudolphfaulkner

You tube video:



Simone Fezer 2


Tell us about yourself!

My name is simone fezer, I am based in Germany and work internationally. The great glass-painter Hans-Gottfried von Stockhausen was a neighbour to my parents and when I was unsure what to do after school, he sent me to Bild-Werk Frauenau where I met glass, was fascinated and made my way from there.

What draws you to the material you work with, and why have you chosen the processes that you use in your work? 

I find a beautiful intensity in making glass: the being in the moment, the immediacy and focus it gives and demands as well as the satisfying physical challenge and exertion it provides.

On the other hand glass reflects diversity perfectly: to express various aspects of a theme you can employ different states of this amazingly diverse sculptural material: Glass can speak of containment or transcendence, of light and shadow, it is a vessel, carries, magnifies, clarifies or distorts, it reflects or lets pass, speaks of fragility, brittleness and the flow, it´s hot and cold, colorful and clear, rough and smooth, resembles water, ice and earth, it´s elegant, kitsch, beautiful, broken...and you can use it and its historical and technical properties to have your work speak about all this and more.

What themes do you pursue in your work? 

Many of my pieces speak about the fragility of the balance we are all maintaining or endangering but also want to make aware of the diversity that we all are, the beauty, resilience and stability of the permanent change and re-composition of the interwoven systems of social, sociological, and personal structures. We are continuously reshaping and -forming our world, a fragile construct that necessitates change, and so alters and dissolves identities, identifications, positions and structures believed to be firm. Watching and listening to the often frenzied and mad workings of the world, and influenced by dystopic pop-cultural visions, as well as scientific and fictitious developments, many of my more recent pieces have been getting darker, and maybe angrier, a sense of urgency has entered the making of...

If you weren't working in this field, what career would you choose? Theater! I love theater and am working on bringing my own practice closer to it. My installations are already stage-like, now I am moving towards performing in and with them. 

What's something about you that most people don't know?  That I am a passionate rider and horseback-archer and that I am, together with my partner, also organizing international competitions in that field.

Why are you a member of GAS? To stay and get in contact with fellow members of the glass community. To share knowledge, start projects and open opportunities.

To learn more about Simone Fezer, go to her GAS MEMBER PROFILE PAGE




Jonathan Michael Davis


Tell us about yourself!

My name is Jonathan Michael Davis, I started working with glass in 2001 through an apprenticeship in Durham, North Carolina. My current work is primarily sculpture and lighting for installation and commission.

What draws you to work with the materials you work with, and why have you chosen the processes that you use in your work? 

I’m drawn to glass and metal by the complex processes used to sculpt materials that shift between fluid and solid states.  I use a number of staining and texturing applications in my work which allows me to apply color on large and complex shapes in ways where the use of traditional glass color would be technically prohibitive. 

What themes do you pursue in your work? 
The themes in my work invoke familiarity with aquatic life, molecular movement, aspiring flowers, and extraterrestrial viruses. The modular nature of my work and use of interchangeable shapes allows for creative spontaneity and flexibility during assembly.

What is your dream project?
My dream project is an expansion of the work I am currently doing. Large-scale interactive and responsive installation work that integrates sound and light using proximity sensors that detect the audiences

Pic 1 "Dialtheism"  72"x24"x10"  Photo by Morgan Collini
Pic 2 "Honey Drips"  10'x8'  Collaboration with Matt Mcconnell
Pic 3 "Seussian Succulent"  36" Diameter  Photo by Morgan Collini
Pic 4 "Actual Proof" 36" Diameter  Photo by Morgan Collini

For more information about Jonathan Davis, go to his GAS Member Profile Page

Personal website "
Instagram @jonathan_michael_davis  

Donald Friedlich


Tell us about yourself! I received my BFA from RISD in 1982 in jewelry and metalsmithing but for the last 20 years, glass and gold have been my primary materials. My glass training has primarily been at The Studio of the Corning Museum of Glass where I take classes and also teach in the cold shop. I currently work in Madison, WI.

What draws you to the material you work with, and why have you chosen the processes that you use in your work? I work with an unusually broad range of processes including casting, fusing, coldworking blowing and more. Whatever best suits the idea and form I want. I'm drawn to the expressive range of glass in terms of form, transparency, optical qualities, texture and more.

What themes do you pursue in your work? For many years, I’ve sought to identify qualities that are unique to jewelry as a medium. One I’ve focused on is that jewelry is viewed in motion.  Some of my current Lumina Series Brooches exploit this movement in such a manner that the brooches appear to dramatically in shift color when viewed at different angles. 

What is your dream project? A solo show at the Victoria and Albert Museum in London would be a dream project.

If you weren't working in this field, what career would you choose? I could see being in industrial design. 

What's something about you that most people don't know? As a child, I had no interest in art what so ever. It wasn't until my early 20's when I started making jewelry that I discovered a creative side that was completely dormant.

Why are you a member of GAS? I value the community of artists that GAS represents.

To learn more about Don Friedlich, visit his GAS MEMBER PROFILE PAGE. 

Personal website: 



Anna Eggert


Tell us about yourself!

My name is Anna Eggert. I am a Swedish artist living and working in Gothenburg. I have a Masters degree in Textile Art and started my career working with screen-printing and textile sculpture. In 1999 I had the opportunity to learn screen printing and painting on glass and was completely absorbed by this new medium. Since then I have been working with glass. I have done several public commissions. Screen-printing, painting and kiln casting are my main techniques. At the moment I am focused on kiln casting float glass. 

What draws you to the material?

I am drawn towards glass transparency and the way it catches light. I also love its double nature - it´s fragile but also hard. Although its contrasts and resistance are challenging and it is not easy to tame,  I am all the time testing and experimenting to see where its boundaries are, how far I can go.

I also like to combine it with other materials like metal (mostly iron) and concrete because the qualities of the glass become even more visible.

What themes do you pursue in your work?

I seek a poetic entrance to tell the story about the miracle of life. Small forms of life in water and on land have been a focus and interest for me for a long time. There is an incredible world of forms. All these organisms are so fascinating: small and fragile, yet strong and vigorous. They epitomize the fragility and strength of life. My aim is not to depict but to create an interpretation or a reflection.

What is your dream project?

To receive the opportunity and economic support to make a public commission or exhibition in a space that affords me the opportunity to think big.

If you weren't working in this field, what career would you choose?

I might be a marine biologist

Why are you a member of GAS?

I like the idea of being a part of an international community and hope to develop my international contacts. I joined to be able to participate in the fantastic Murano Conference and hope to be able to attend future conferences.

To learn more about Anna Eggert, go to her GAS MEMBER PROFILE PAGE 

Instagram:     @bluesjellyfish      





posted on 7:40 AM, November 12, 2018

MEMBER MONDAY: Neil Edwards, Bristol, UK

Tell us about yourself!

My name is Neil Edwards from Bristol in the UK. I started making glass after university when I got a job in a glass production studio in my hometown, I kind of fell into it really. After living in Taiwan for 3 years I have recently finished a Masters degree in Glass back in the UK. 

What draws you to the material you work with, and why have you chosen the processes that you use in your work?

I’m drawn to hot glass as a medium for its physical properties when working with it. Every movement you make when making is recorded by the glass. It is both fluid and brittle, which is so interesting, and of course the way glass reflects, refracts, diffuses light is mesmerizing. 

What themes do you pursue in your work?

In my work I explore different ways of applying a pattern to glass, on the surface and inside the glass object itself, using an array of different techniques on blown and sculpted forms. 

What is your dream project?

My dream project would be to simply work on interesting jobs with committed and enthusiastic people. Preferably with a decent supply of beer. 

If you weren't working in this field, what career would you choose?

If I wasn’t working in this field, I’m really not sure what I would be doing. It would certainly be in a creative industry though.  

Why are you a member of GAS?

I am a member of GAS as I feel that it is important to be an active member of the glass community in order to support it, and also to connect with other artists the world over and be able to see what they are doing.

To learn more about Neil Edwards and his work, go to his GAS MEMBER PROFILE PAGE.

You can also follow him on Instagram at



Meredith Edmondson


Tell us about yourself!

My name is Meredith Edmondson and I am a glass artist living and working in Nashville, TN.  I started working with glass in 2004 when I took a glass bead making class at the Appalachian Center for Craft in Smithville, Tennessee, where I went on to receive my BFA in 2009. I spent all of my free time watching people in the hot shop and I fell in love with the material and was fascinated with all of the different possibilities and ways of working with glass, as well as the teamwork and collaborative aspect. With Nashville being a bit of a glass desert, I am pushing myself to find new and creative ways to work within my community, from casting 3-D printed objects, to teaching basic fusing classes, to continuing to run a custom blown glass business by utilizing people in surrounding areas to make the work I design.  

What draws you to the material you work with, and why have you chosen the processes that you use in your work?

Material transparency, fluidity, and collaboration have always been what has drawn me to glass.  For the past 2 years, I have been focusing on developing my color palette and selecting objects for the kiln cast work I am currently making, and have fallen in love with the lost wax casting process.  I am not always a precise person, and the precision necessary to work in this way is a fantastic challenge for me.  

What's something about you that most people don't know?

I was a synchronized swimmer in middle and high school.

Why are you a member of GAS

I am a member of the Glass Art Society mostly for the connection to the national and international community.  I love the weekly emails with introductions to new artists, the information about gallery shows and calls for art, and general updates about what is going on in our glass world. And the conferences are always fantastic! 

To learn more about Meredith Edmondson, go to her GAS MEMBER PROFILE PAGE, or her personal website at 


 Peter Bremers


Tell us about yourself!

My name is Peter Bremers. I was born, live and work in the Netherlands. As an artist I started my career making light sculptures, combining many materials including marble, acrylics, metal, and rubber. I still consider my work to be very much about light, in its material as well as spiritual meaning.

What draws you to the material you work with, and why have you chosen the processes that you use in your work?

Glass became my favorite medium once I realized its many possibilities in using different techniques. It allows me to work transparent, translucent, emotional, conceptual and mystical. Glass is uniquely 4-dimensional as 'front' and 'back' of a sculpture can be seen at once, simultaneous. It also allows seeing inside the matter which is between the inner and outer 'shell' of a form.

What themes do you pursue in your work?

My inspiration comes from many sources: nature, traveling, philosophical and spiritual concepts as well as the interaction between material, form, and light. Recently I investigate the way we perceive all individually different while looking at the same. Who we are, by what we have been formed and what our belief system is, creates our specific perception of 'reality'. A deeper understanding and accepting of this phenomena can help us to be tolerant, empathetic and

What is your dream project?

My dream project is always what I am working on next. After 40 years of being a sculptor, I enjoy each new development in my work realizing that I barely scratched the surface of the ocean of ideas I have access to. As an artist and human being, I am always looking for growth and new (ad)ventures! It`s one of the reasons why I love commissions, as they push you to think 'out of the box'.

If you weren't working in this field, what career would you choose?

No idea! Something creative for sure.

What's something about you that most people don't know?

I studied Psychosynthesis. 

Why are you a member of GAS?

The GAS community is supportive of the individual as well as the glass art movement. The annual conference is a chance to meet colleagues, learn and share knowledge and ideas and... to hang out with friends.

To learn more about Peter Bremers, visit his GAS MEMBER PROFILE PAGE

Personal website:

FB: Peter Bremers + Peter Bremers Glass Art

instagram: peter_bremers_glass_art

twitter: @peter_bremers 





Bremers Peter AURA 2009, dim. 123x46.5x11.8 inch, 309x117x29 cm.

Bremers Peter, LYRICAL 2017, dim.137x42x28 inch, 348x107x72cm.

Peter Bremers, Inverted Space 2017, dim.16.6x19.8x13 inch, 42x49x33cm.

Peter Bremers, 7 Bodies Installation 2017, Fort Wayne Museum of Art 



Blown Glass/Photography

Tell us about yourself!

Originally, I went to school for graphic design and illustration. I became interested in glass and in 2006 became a Core Fellow at Penland School of Craft which changed the entire course of my path allowing me time to learn how to blow glass. I then worked with Devin Burgess, a resident at Penland who took a lot of time and patience building my hand skills and making me a better glassblower.

What draws you to the material you work with, and why have you chosen the processes that you use in your work?

Glass is difficult, it is a pursuit. There is little instant gratification. The success is long-term and well deserved once reached.

Glass can also become anything and has the ability to morph taking on "properties" that aren't inherent. It is a chameleon material with the ability to mimic the world.

What themes do you pursue in your work?

My work revolves around two themes: water and perception. Reflection is a visual occurrence and psychological activity. I think about the connection of these two realms and how they cross and separate weaving points back and forth over each other.

I also have a two production lines. Little Dipper Studio, my personal production line and Shaker & Salt, a collaborative line between Nick Fruin and I. In both these lines, it is my aspiration as a maker are to create technically proficient, well-designed, functional objects that people covet. I strongly believe that handmade objects have the ability to ground people and connect them to their community.

If you weren't working in this field, what career would you choose?

We all have a choice to change fields at any moment, I love what I do. I love a lot of other things as well, but I chose this career because I wanted to make with my hands rather than sit behind a computer. I believe in handmade things and the tradition of skillfully making things. 

Why are you a member of GAS?

It important for me to be connected to my community and see what other people are making and doing. GAS gives me an opportunity to connect with members that I may not have a chance to run in to and be exposed to new information.

To learn more about Courtney, visit her GAS MEMBER PROFILE PAGE

Personal and professional websites:

Shaker & Salt -






Sukayna El Hani


Tell us about yourself!

My name is Sukayna El Hani and I am from Baltimore, Maryland.  I am a senior in Virginia Commonwealth University’s Craft and Material Studies program.  I discovered glass blowing during my second year in VCU’s arts program when I transitioned from painting to crafts as my major: once I blew my first bubble, I was hooked. This semester I’m serving as a TA for an intro to glass class for incoming craft students.  Beyond VCU, I sharpened my skills with murrine at Pittsburgh Glass Center and helped build a Venetian chandelier at Pilchuck Glass School, and I attended the 2018 Murano GAS Conference.

What draws you to the material you work with, and why have you chosen the processes that you use in your work?

Long before I discovered glass, I was inspired by the work of Caravaggio and his exploration of light and shadow, with figures emerging from the darkness.  The translucent qualities of glass enable me to explore how light can pass through and interplay with color, shadow, and reflection. I am also fascinated by molten glass, it’s glow and fluidity, and how it has a mind of its own and you have to perform a dance with it to shape it into the desired form.

What themes do you pursue in your work?

My identity as a Moroccan American has been a recurring theme in my work.  I did not grow up in Morocco, and I have been trying to define myself and connect to my Moroccan heritage for the past few years.  I try to express these themes through the relationship between comfort and discomfort, comforting the disturbed and disturbing the comfortable.  My work has included elements such as apple pie and Moorish designs, but also distorted Moroccan mirrors cast in the glass that grabbed at my hair.

If you weren't working in this field, what career would you choose?

If I were not an artist, I would probably pursue chemistry.  I am fascinated by how materials interact with each other.

What's something about you that most people don't know?

A huge turning point for me as a young artist was in 2014 when I saw the James Turrell retrospective at LACMA.  It was the first time I moved beyond paint on canvas and thought of how light interacted with three-dimensional objects.  I had never seen someone work with light as a material, and now it helps my understanding of light and glass, as the interplay of two materials.

Why are you a member of GAS?

I joined GAS to be part of the larger community of glass artists, to connect with more artists from around the world and be informed of what is going on in the glass world. Attending the GAS conference has helped meet new artists and make friends.

To learn more about Sukayna El Hani, go to her GAS MEMBER PROFILE PAGE

Instagram @hernameissukayna


Jacci Delaney



Tell us about yourself!

I'm Jacci Delaney and I live in Columbus, OH. I from a very small town in Illinois and so when I went to college I wanted to travel around the country and see everything. I ended up in Seattle, WA in 2002 and went into a glass gallery and I saw all of these beautiful colors and thought to myself "I want to suspend color in mid-air like that." That was the seed that sent me back to college to get a fine arts degree in glass and an art history degree.

What draws you to the material you work with, and why have you chosen the processes that you use in your work?

The light and transparency are what draws me to glass. I like making layers of imagery and using the light to make shadows and highlights. My two loves in glass are casting and glassblowing, I'll always love to do both of these because they are such different techniques for working with glass. My favorite tool in the hot shop is the ladle because I do hot casting. 

What themes do you pursue in your work? 

My themes are Bubble wrap because I like how it is so recognizable and its used to protect fragile objects. I use its organic formlessness to be the void in my cast glass cubes. It's interesting to see this hard bubble wrap interacting with the surface of this perfectly made cube.  

What is your dream project?

My dream is to make a glass bubble wrap wall that would be a room divider so people could see each other through bubble wrap and think about the fragility of the human body. 

What's something about you that most people don't know?

Most people don't know that I love teaching glass to kids because it is both art and science, and I like to tell them all about it. 

To learn more about Jacci Delaney, go to her GAS MEMBER PROFILE PAGE




YouTube CHANNEL: Jacci Delaney


Kagan Dunn 1


Tell us about yourself!

My name is Kagen Dunn and I live in Arlington, Texas. I am a senior at the University of Texas in Arlington and will be graduating this fall. I chose to attend UTA specifically for their glass department. Before attending this school, I had zero glass experience. While attending UTA, I have remained active in our student organization, 2100 Club, and currently, hold an officer position as President. Attending UTA has presented me with many opportunities such as scholarships to attend classes at Pilchuck Glass School, UrbanGlass, and Pittsburgh Glass Center. I also work as an instructor at SiNaCa Studios in Fort Worth, Texas in both the glassblowing and kilnforming studios. 

What draws you to the material you work with, and why have you chose the processes that you use in your work?

Glass is a very versatile material and I enjoy the challenge of trying to do something new with it. That being said, only working with glass can be a little limiting. Throughout my undergraduate career, I have found myself branching out in materials that are familiar from my childhood and finding ways to intermingle them into my work.  

What themes do you pursue in your work?

My work focusses on the use of traditionally domestic materials, such as fabric, thread, and paper, in conjunction with more industrial materials like glass, drywall, and wood, utilizing their varying qualities. Through my artistic practice, I have been drawn to the unique characteristics of objects made by hand, with a focus on the actions of the hand and the finished products’ individual subtleties. As the artist, I feel that it’s important to incorporate the use of my own body into my work to make it more meaningful but to also add personal intricacies.
If you weren't working in this field, what career would you choose?
If I weren't pursuing an artistic career, I would definitely try to be a dog trainer. 
Why are you a GAS member?
One thing I really enjoy about glass is that there seems to be a community created around this material. The Glass Art Society is just another way for me to be involved in that community. I enjoy the opportunities that are presented with being a member, such as the conferences and student competitions. 
To learn more about Kagen Dunn and her work, go to her GAS MEMBER PROFILE PAGE


Tell us about yourself.

I am Karola Dischinger, a native German living and working in Switzerland. In 1999 I got in touch with glass by chance when a friend asked me to join her for a fusing class. In 2002 I took my first class in Bildwerk and quickly knew I wanted more, so in 2003 I took a break from my Human Resources career and attended a Penland School of Crafts 2-month session to learn the basics of glass blowing. Each year afterward, I took classes during holidays in Germany, the UK, Turkey, and the US to learn more about the material and the various techniques. Since 2014 I have been working full-time in glass, and this year I had my first solo show, “Modern Times in Our Working Environment,” in Basel/Switzerland.

What draws you to the material you work with and why have you chosen the processes you use in your work?

There are so many different techniques that express a different quality and “presence” of a piece and make it appear beautiful or ugly--heavy thick castings, delicate blown work, fragile and brittle pate de verre, cold work producing ceramic-like effects, and more. The wide-ranging possibilities made glass the perfect material in my project about our modern working environment because I could explore and transmit complex messages, often metaphorically, about the impact of organizational pressures on human beings.

What themes do you pursue in your work?

Since my background is in Human Resources, for the last 4 years I have worked around topics like personality, relationships, company strategy, connections, responsibility, leadership, gender and inclusion, organization, health, teamwork, and values of companies and employees. I’m now developing a project around a new theme, but my driving interest remains how people can enhance relationships and society through their ways of interacting.

What is your dream project?

Currently, I dream about showing my work in a corporate environment in industry, banking, or social media companies that have such a strong influence on our daily lives. I would like the management, in particular, to reflect on why taking more social responsibility should take precedence over continually making more profit. (I’m very aware that probably nobody in business would share my dream.)

If you weren’t working in this field, what career would you choose?

Working for a museum or managing exhibitions in order to learn more about the other side of the art business.

Why are you a member of GAS?

GAS is the biggest glass-related organization, and I appreciate all the information available from the US. Also, I enjoy catching up with friends and colleagues at the GAS conferences, such as the incredible Murano one.

To learn more about Karola Dischinger, check out a catalog from her most recent show, or her GAS Member Profile Page



Han de Kluijver


Tell us about yourself!

My name is Han de Kluijver (Sliedrecht, Holland, 1950). After graduating from the art academy in the 1970s, I started studying urban design and architecture. In 1983 I started my own desk HDK architects bna bni bnsp. I feel more architect than artist, but in reality, the two disciplines reinforce each other. My work as a visual artist serves as a catalyst and as a source of inspiration for my architecture.

What draws you to the material you work with, and why have you chosen the processes that you use in your work?

For me, it was especially important in the first instance to do form studies, which I could extrapolate in architecture. The basis, namely the design process, is the same in both architecture and glass casting.  After countless sketches, an image is formed that can be captured in a model. Just like in architecture, all kinds of changes and improvements to the design are possible during the manufacturing of that model. In architecture, glass is used to let light into a building, to reflect the surroundings of a building, to create the illusion of space and to visually connect spaces. My glass works are architectural works.  

What themes do you pursue in your work?

With my glass objects, I want to show that the boundary between architecture and sculpture is less strict than is often assumed. As an architect, you create space with the help of glass walls and facades. The glass objects only create space in a figurative sense. They are a metaphor of the literal space experience in which architecture provides. I want to develop this further.

What is your dream project?

The opportunity to continue experimenting with the countless possibilities of this versatile material. To me, glass is a metaphor for life: fragile, not always transparent, sometimes colored and often enchanting.

If you were not working in this field, what career would you choose?

Design requires a specific attitude and a certain obsession. Once you have mastered that attitude, you can design objects as well as buildings or even a part of a city. Trips to other disciplines can stimulate creativity and innovation, challenge you to work with new materials, and strengthen technical knowledge.

Why are you a member of GAS?

Together we can draw more attention to glass as craftsmanship and glass as an art form.

To learn more about Han, or to see more of his work, visit his GAS MEMBER PROFILE PAGE


Lothar Böttcher


Tell us about yourself!

My name is Lothar Böttcher and I live and work in Pretoria, South Africa and run a coldshop studio called Obsidian Glass.

In 1994 I helped build our first furnace for the Glass Department of the Tshwane University of Technology - I was hooked! Thereafter I furthered my studies specializing as a cold worker/engraver in Germany at the Staatliche Glasfachschule Hadamar under masters Josef Welzel and Willi Pistor.

What draws you to the material you work with, and why have you chosen the processes that you use in your work?

As a cold worker, I have become intimate with glass from another angle (pardon the pun…). I guess the discipline of grinding and polishing is inspired from my sculptural background, whereas the meditative process and material offer new unexplored possibilities.

Each piece is a personal journey. 

What themes do you pursue in your work?

Light is the constituent medium. Looking, seeing, exploring our immediate space and the universe as a whole. 

I am very much inspired by our inquisitive human nature and those moments in history which heralded new discoveries through a “looking glass” and the mind-bending magnitude of info a light-beam contains. 

In a contemporary context, I try to understand the impact of digital “lenses”, those we carry in our pockets, filled to the brim with info… 

If you weren't working in this field, what career would you choose?

Architect or mechanic, maybe even astrophysicist or engineer. Something that will make this little blue dot we live on a better place. 

Why are you a member of GAS?

I enjoy being part of a special group of people, highly dedicated, in so many aspects, to the same material I love and its future

It’s like having an extended family with cousins living all over the world. 

To learn more about Lothar Böttcher, or to see more of his work, go to his MEMBER PROFILE.


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