TRACE 2025
An Exploration of Sustainable Glass Art
GAS GREEN EXHIBITION
This annual exhibition is an opportunity for artists to showcase how and in what ways sustainability shows up in their practice. This digital exhibition, juried for inclusion and awards by a panel selected by the GAS Green Task Force, offers individuals an opportunity to showcase their work without the environmental impact of shipping and traveling.
Winner
“Nature in the Future” by Negin Navabi
📍Iran

At 56, Negin Navabi stands as a celebrated figure in Iran’s contemporary art scene, renowned for her mastery in glass artistry. Born in Shiraz, she initially pursued Food Industries academically but soon turned to art, beginning her creative journey with ceramics. Over time, her fascination with glass led her to explore its transformative potential, marking a pivotal shift in her career. Negin’s early experiments in fused glass sparked her interest in mastering this delicate medium. To deepen her knowledge, she attended the Glass Furnace School in Istanbul, where she participated in specialized workshops. Her exceptional talent earned her a residency at this prestigious institution two years later, a milestone that shaped her artistic vision and techniques.
For over 15 years, Negin has dedicated herself to the intricate craft of glass casting. Through relentless experimentation, she developed a unique glass paste formula after six months of trials. This innovation has enabled her to create evocative sculptures that capture the depth and complexity of her artistic vision. Her works, often described as a blend of tradition and modernity, push the boundaries of glass as an artistic medium. Negin’s contributions have gained international recognition, with her work featured twice in Bulgaria’s renowned biennial exhibitions. These accolades reflect her position as a leading voice in contemporary glass art and her commitment to excellence.
I live in Iran, where limited glassmaking facilities pushed me to innovate. I developed a unique pâte de verre paste using window glass powder, gelatin, gum, and sugar, enabling flexible sculpting and creations up to 25 cm in diameter. After months of experimentation and refining firing schedules, I combined pâte de verre with fused glass to expand my artistic range. My collection, “Nature in the Future,” envisions a world where artists and genetic science collaborate to bring imagined forms to life, blending art and innovation in a vision of living creations.
My glass artistry is deeply rooted in sustainability and environmental awareness. I use recycled glass as the primary material in my sculptures, transforming discarded resources into meaningful art. By repurposing glass, I aim to reduce waste and highlight the potential for renewal and transformation, promoting a more sustainable approach to material use. Through extensive experimentation, I developed a unique glass paste formula that allows me to combine various types of recycled glass into durable, visually striking sculptures. This innovation minimizes the need for raw materials and exemplifies creative reuse. Much of my work is inspired by nature, particularly marine ecosystems.
My series, “Nature in the Future,” reflects concerns about the fragility of these environments and the impact of human activity. By reimagining oceanic life in glass, I aim to evoke wonder and urgency, encouraging viewers to consider their relationship with nature and the need for preservation. Blending traditional craftsmanship with modern technologies, my work envisions collaborations between art and science to create sustainable solutions. It serves as both a creative response to environmental challenges and a call to action, urging reflection on humanity’s impact on the planet and showcasing the potential of art to inspire meaningful change.
Gallery
Jurors
Thomas Kapere | Gallery Manager, Kitengela Glass
Kapere is the Gallery Manager at Kitengela Glass, a Kenyan studio that transforms scrap glass into objects and designs that have a future, address a need, and fulfill a function or desire. Kitengela melts 1,000 kilograms of glass scrap, namely window and bottle glass, on a daily basis, and since 1990, the studio has recycled 4.2 million kilograms of glass waste.
Shelby Kaye | Co-Founder of Broken Arrow Glass Recycling
Shelby Kaye is a New Mexico-based artist, mother, and entrepreneur. Kaye received her degree in Studio Art from New York University in 2015, where she was introduced to glass art through classes at Brooklyn Glass, Urban Glass, and Pilchuck Glass School. Kaye has deep-rooted interests in connection to material, which she follows and explores through entrepreneurship, performance, sculpture, and video art. Kaye co-founded Broken Arrow Glass Recycling in 2020 alongside partner and glassblower Chris Bogle. Broken Arrow is a creative glass recycling studio located in Cuyamungue, NM, which provides doorstep glass recycling collection services and transforms glass waste into handblown art, up-cycled housewares, terrazzo, and crushed glass material. Creating community, circular economy, and a second life for glass waste in Northern New Mexico. Kaye received Waste 360’s 40 Under 40 award in 2024 for her innovative recycling efforts in the waste industry.
Marta Ramirez | TRACE 2024 Exhibition 2nd Place Winner
Born in Bogotá, Colombia, Marta Ramírez is an industrial designer and artist specializing in glass. Her work bridges art and design, exploring the dynamic relationship between glass and water. Using lampworking techniques, she captures the fluidity of water in glass, creating pieces that reflect moods and emotions while paying tribute to this endangered natural element.
Marta’s career spans exhibitions, public art, and design collections, including jewelry and utilitarian objects. She has taught glass techniques at the University of the Andes and the National University of Colombia. Notable achievements include artist residencies and fellowships at the Corning Museum of Glass, participation in international biennales, and awards including the 2nd prize GAS Trace exhibition 2024 and 1st prize International Biennial of Ibero-American Glass Art BIAVI 2024 Oaxaca. Represented by galleries in Colombia and Singapore, her work has also been featured in New Glass Review.