Brandi Clark

Executive Director
Prague, Czechia

Brandi is a native of Texas where she attended Texas A&M University. She has dedicated most of her career to non-profit administration working for arts organizations including the Houston Symphony, Pennsylvania Guild of Craftsmen, Fifth Avenue Theater and the Pratt Fine Arts Center. Most recently, she was the executive director of the Cascadia Art Museum in Edmonds, Washington

Amanda Crans

Communications Manager
Corning, New York, USA

Amanda Crans (she/her) is a communications professional and arts enthusiast based in Corning, NY. She was introduced to glass in her former role as the Social Media and Photography Specialist at the Corning Museum of Glass. She received her Bachelor’s in History from Binghamton University in 2014 and her Master’s in Museum Studies from Syracuse University in 2016. Amanda is active in her community as an LGBTQ+ advocate and is the board secretary for Southern Finger Lakes Pride. As a community-based practitioner, she’s passionate about collaboration and being part of a more equitable world.

Jennifer Hand

Conference + Events Manager
Norfolk, Virginia, USA

Jennifer (she/her) is a glass artist, writer, mother and veteran based in Norfolk, Virginia. Jen holds a BFA in Craft with a Minor in Art History from Virginia Commonwealth University and a MA in Critical Craft Studies from Warren Wilson College. She is the recipient of a 2018 Virginia Museum of Fine Arts Fellowship and the 2021 Rakow Research Grant to document connections between women in early American Studio Glass. With several years of experience in events and program management for arts nonprofits, Jen is now excited to use her skillset to kick off the next fifty years of phenomenal programs for the glass art community!

Marja Huhta

Design + Digital Assistant
Dublin, Ireland

Marja is an artist, teacher, and community leader. With a PhD in Chemistry from the University of Michigan, she found her true passion in kiln-formed glass and established Glass Elements in 2008. Marja served as a studio coordinator and instructor at Pratt Fine Arts Center in Seattle for several years. Since relocating to Dublin, Marja continues to teach kiln glass classes across Ireland. She also served on the board of the Glass Society of Ireland and has over a decade of experience in communication roles for local art organization.

KCJ Szwedzinski

Operations Assistant
Seattle, Washington, USA

KCJ is an interdisciplinary artist, educator and arts administrator. She received her undergrad degree from the University of North Florida and an MFA from the University of Louisville in KY. She is cofounder and executive director of Project Chance, a non-profit that raises and trains service dogs for children with autism and other disabilities. She has studied and assisted at Penland School of Craft, Tulsa Glassblowing School and Pilchuck Glass School. She has been an artist in residence at the Vermont Studio Center, the Chulitna Research Institute and upcoming, she will be an artist in residence at the Pierini International Glass Art Center in Biot, France and at Mini Mart City Park in Seattle, Washington. KCJ’s joy is facilitating creative experiences for herself and others at the intersection of service, education and art. 

 

Julie Havel Thompson

Development Manager
Philadelphia, Pennsylvania, USA

Julie is from Waterford, Ireland, home to the esteemed Waterford Crystal Glass Factory.  Her late father Miroslav and her brother Mirek are celebrated glass artists, and glass is an art tradition she holds very close to her heart. Julie has extensive experience in arts fundraising. She has worked at the Philadelphia Museum of Art in Philadelphia, and at the Museum of Contemporary Art, Chicago.  Julie has a Bachelor of Social Science degree from the National University of Ireland, University College Cork, and a Master of Science in Public Service Management from Chicago’s DePaul University.

The Glass Art Society is governed by a volunteer Board of Directors.

The GAS Board is made up of a group of individuals representative of our membership base. Factors such as geography, medium, skill set, and current position in the glass community are used to ensure a balanced group.

GOVERNANCE RESOURCES

2024 BOARD MEETING DATES

Executive Committee Meetings:

October 9
November 13
December 11
January 8
February 12
March 11
April 15
May 6
June 10
July 8
August 12
September 9

Board Meetings:

All Board meetings will take place @ 6am PT / 7am MT / 9am ET / 2pm BT / 3pm CET / 9pm HKT / 10pm JT

October 24
November 27
No December Board Meeting
January 22
February 26
March 25
April 22
May 27
No Board Meetings from June–August
September Retreat TBD

OFFICERS

Michael Saroka is CEO of a company focused on fulfilling the vision of architects and builders and anticipating what’s coming next in the creative world of architectural decorative glass. At the forefront of the glass manufacturing industry, Michael heads a team at Goldray Glass delivering innovative solutions and creative product designs in glass manufacturing. In 1996, when Michael joined the family business begun by his parents, Goldray Glass was a local company in Calgary, Alberta with big ideas. Today, Michael helps lead more than 90 Goldray employees in this growing and diverse glass manufacturing business known for its innovative products and developmental expertise. Michael joined the Glass Art Society Board of Directors in October 2019.

Nadania Idriss has a very wide breadth of experience that includes the historical study of glass in specific cultural context. She is making a considerable investment in acknowledging historical glass achievements alongside steps forward in contemporary glass. Berlin Glas e.V. is just one facet of her international involvement. Nadania worked at British Museum in London, the Institute du Monde Arab and as a professional consultant at UNESCO in Paris. She also curated “Glass! Handle with care! Fragile art 700-2010” at the Pergamon Museum, Berlin. Nadania holds a MA in Islamic Art and Architecture from the University of Victoria, and a postgraduate at the University of London, School of Oriental and African Studies.

John Moran is a politically and socially engaged hot glass sculptor, mixed media artist, and all-around nice guy. He holds a BFA from Tyler School of Art, a MFA from Illinois State University, and a PhD from the Eugeniusz Geppert Academy of Art and Design in Wroclaw. He is an American artist currently living and working in Ghent, Belgium, where he co-founded Gent Glas, the first free public glass studio in Belgium. He travels frequently and spends a lot of his ‘free time’ in Wroclaw, Poland. 

Lisa Zerkowitz has a Bachelor’s degree in Studio Art from the University of California, Santa Barbara, not far from her native Los Angeles.  She received her Master’s degree in Art Education from the Rhode Island School of Design while simultaneously completing the undergraduate program in Glass. Lisa’s work is nature-inspired and combines the use of cast and blown glass, in addition to steel, ink, and bronze. Apart from her exhibition work, she collaborates on a line of studio glass with her husband Boyd Sugiki, under the name Two Tone Studios. They often travel together to teach glassblowing workshops. Lisa joined the Glass Art Society Board of Directors in October 2019.

Kimberly Thomas is a biracial interdisciplinary sculptor and flameworker residing in Detroit, Michigan. She is known for her work’s intentionally flawed and unusual motifs as well as her intricate sculptural inventions. A self-taught glass artist, Thomas earned a BFA in Ceramics from the Rhode Island School of Design and spent six years as a special effects make-up artist before she began flameworking in 2009. Thomas is a prolific artist who is dedicated to her professional and creative growth. In addition to working in her studio in Detroit, Thomas exhibits her work in museums and galleries across the United States. She was selected for Pilchuck’s 2022 Emerging Artists in Residence Program, Thomas is a former professor of glass at Salem Community College in New Jersey and a guest instructor at various craft schools and studios, including Penland School of Craft and Pilchuck School of Glass.

Since 1996, Eric Goldschmidt has devoted his efforts to practicing and developing his work having learned while studying and assisting with many of the World’s most talented glass artists. These experiences have given him a vast array of techniques and inspirations from which to draw. He combines this wealth of knowledge with his own interests in the subtle energies of the natural world, delicate forms, and the capture of raw human emotions to
create original new works.

Eric held the position of Resident Flameworker at The Studio of The Corning Museum of Glass for 6 years. He then worked with Arribas Brothers Company where he designed, developed, and produced works at Walt Disney World. He returned to The Corning Museum of Glass in the spring of 2008, and as Supervisor of Properties of Glass Programs, he develops demonstrations that help to educate, inspire, and spread the word of the very fascinating glass World to hundreds of thousands of visitors per year.

Eric joined the Glass Art Society Board of Directors in October 2019.

GENERAL BOARD

Through 25 years of working in glassblowing, Benjamin Cobb has honed his mastery of glass, traveled across the globe, and worked with hundreds of artists. An east-coast transplant, Cobb holds a BFA from the Rochester Institute of Technology and has been a demonstrating artist at glass studios as far afield as Sweden, the Czech Republic, Italy, and France. He’s taught at Penland School of Crafts, Pilchuck Glass School, and many other glass programs in the US. He’s a recognizable leader and voice in the glass community and has contributed to the success of countless works of art. In his own work, Cobb draws inspiration from the natural world, as well as the scientific process. His work has been exhibited at the Museum of Glass and the Museum of Northwest Art in LaConner, WA, and dozens of galleries across the country. Benjamin joined the Glass Art Society Board of Directors in October 2019.

Mika Drozdowska works as a curator in BWA Wrocław Galleries of Contemporary Art and head of the SIC! BWA Wrocław Gallery (which she transformed from the Glass and Ceramics Gallery), putting emphasis on experiments and searching for new values. 

Her interests focus on glass and ceramics as a medium of contemporary art. In turn, her experience and deep interest in art in the public space means that she tries to operate at the interface of these two fields (an example of which is the project of the city game GlassGo and Art on request, a mobile gallery with the exhibition Invasive species by Ben Snuffy Wright). 

Mike is the curator of many exhibitions of contemporary art including Autonomous Zones– group exhibition in the occasion of 50 anniversary of Pilchuck Glass School; Still Life by John Moran; Florentine Syndrome by Einar and Jamex de la Torre; Everything comes in handy by Kalina Bańk; Exotic dreams and poetic misunderstanding by Lin Wang , “Gold Standard” by Matt Szosz . She co-created the residency program in BWA Wrocław. Mika serves as a board member of BWA Wrocław Galleries of Contemporary Art and Studio Gent Glass in Gent (Belgium). She worked as a producer of many projects and exhibitions, and also as a coordinator of two editions of the International Biennale of Urban Art OUT OF STH (2012, 2014) in BWA Wrocław. Mike graduated from the Faculty of Glass and Ceramics at the Academy of Fine Arts in Wroclaw (Poland). She also studied at the University of Anadolu in Eskisehir (Turkey).

Percy Echols II is a Pittsburgh-based Artist, Alchemist, and Educator who pioneers the development of Neon and Plasma Light Art at the Pittsburgh Glass Center and is the creator and host of the Podcast Taming Lightning. He began working in glass in 2011 when he took his first Glassblowing Class at Illinois State University, although his interest in plasma began in 2014 at Pilchuck Glass School in Stanwood, WA. Here he was introduced to the medium of plasma light sculpture through furnace glassblowing in a class taught by Patrick Collentine and gained a friend and mentor. He continued working in plasma while pursuing his BFA in Studio Glass at Illinois State University. After graduating he moved to Pittsburgh in 2016 for a year-long apprenticeship at the Pittsburgh Glass Center which quickly became his new home. Here he was gifted with an opportunity to make use of donated neon equipment and a growing network of artists, where he studied, built, and developed studio equipment and programming. This allowed him to not only make his artwork, but to allow PGC to provide workshops, classes, and private lessons, as well as allow for commissions, services, and collaborations for Plasma and Neon. In 2019 he joined the Plasma Art Alliance Board and was nominated for a leadership role in 2020, to further its mission to promote illuminated plasma in glass as a sculptural art medium as it aligns with his own goals through Taming Lightning. Percy currently pursues the goal of formalizing methods and knowledge he has put into practice for plasma and sharing them with the greater community of interested artists, makers, and engineers and encouraging accessibility through public art institutions.

Frederik Rombach is the owner of Rombachs Glass in Antwerp, Belgium. His studio focuses on two topics; Environmental Awareness and Community Outreach. Frederik firmly believes these two topics are connected and endeavors to acquire as much knowledge as he can in both areas to connect in his own studio and to disseminate into our international glass community. He sees his role on the GAS Board of Directors as a huge honour. In the coming years, he hopes to learn, evolve and exchange knowledge and experiences as productively as possible with you all.

Debra Ruzinsky is a glass artist, educator, and serves as executive director of Bainbridge Arts & Crafts, the oldest and largest nonprofit artspace in the Washington state region, supporting the livelihoods of more than 200 artists. Prior to this she spent close to 4 years as director of the Appalachian Center for Craft in Smithville, TN. Debra uses lost wax, mold-making, and casting processes to create sculptural glass works that explore opacity and translucence, delving into ideas about belief and identity. Her works have been exhibited and collected throughout the US and internationally. Debra earned a BA in Design from UCLA and an MFA in Glass from RIT. She had a prior career as a designer and maker for film, commercials, and theme park environments.

Dr. Sunny Wang is one of the leading glass artists in Asia. She uses the unique material qualities of glass in contemporary art practices to explore diverse themes including Buddhist philosophy, Chinese calligraphy and the human relationship with the natural environment. Solo and group exhibitions of Sunny Wang’s work have been presented internationally including Hong Kong, Australia, Singapore, Italy, France, Japan, Germany, the United Kingdom, America and her native Taiwan.Dr. Sunny Wang founded the Glass Studio at the Academy of Visual Arts of Hong Kong Baptist University in 2007 and has served as an Associate Professor at the Academy since 2020.

Martha Zackin is a Boston lawyer, concentrating in the representation of management in all aspects of labor and employment law, including litigation, collective bargaining, and counseling.  With more than 30 years of experience, Martha advises and represents clients on a broad range of employment law issues and in adversarial proceedings.  In her role as an advisor to employers, boards of directors, and executives, she regularly provides practical advice and counsel on a wide range of employment-related issues, including employee relations and policy matters; employee classification and wage and hour laws; violations of noncompetition, nonsolicitation, and nondisclosure agreements; employee training; employment and separation agreements; affirmative action; mergers and acquisitions; and internal investigations. Martha has represented clients before administrative and governmental agencies, courts, arbitrators, and mediators. When she’s not lawyering, Martha spends her time with her dogs on Casco Bay in Maine or in the hot shop, taking classes or renting blow slots at NOCA Glass School.  NOCA, located just outside of Boston in North Cambridge, Massachusetts, is housed within Almost Perfect Glass (APG), home to a fantastic array of glass artists, sculptors, jewelers, and a few dogs. 

Leia Guo (she/her) is an interdisciplinary Canadian artist who works at the intersection of photography and contemporary glassmaking. Her signature “vitreoscape” prints combine hand-blown optical plates with the silver gelatin printing process to create landscapes that exist in temporal flux. She holds a Bachelor of Fine Art in Glass (2022) and a Bachelor of Design in Photography (2023) from the Alberta University of the Arts in her home city of Calgary. During her undergraduate degrees Leia was a central part of her university’s artistic community -organizing alumni visits, gallery openings, and fundraising opportunities. As an alum, she works as the coordinator for her school’s student art market. Her passion for community-building led her to join the GAS Board, where she is the current North American Student Representative. Leia currently works out of her custom home darkroom and at a local hotshop to create her unique silver gelatin prints. She has exhibited her work at various national and international exhibitions and was a 2023 Pilchuck Fellow. When she’s not in the studio, you can find her cuddling her kitties or roadtripping through the Albertan prairies.

Wandering around the world with her ability of perfect pitch and quadrilingual skill, Jocelyn Chan creates installation and performance artworks using the language of sound and music. Born in 1998 and raised in Hong Kong, surrounded by the rich history of neon lights, Jocelyn was initially drawn to glass through the process of neon bending at the University of Wisconsin – Madison. She found a passion in glassblowing in their hotshop, where she received her Bachelor of Fine Arts in Glass and Printmaking. After graduation, Jocelyn worked at AO Glass in Burlington, Vermont and Chrysler Museum Glass Studio in Norfolk, Virginia. She continues to create challenging works and explore different opportunities when traveling around the world. Jocelyn is currently advancing her studies in glass at Toyama Institute of Glass Art in Toyama, Japan.