Trace 2026: GAS Green Exhibition

TRACE 2026 is an opportunity for artists to showcase how and in what ways sustainability shows up in their practice. This digital exhibition offers individuals an opportunity to showcase their work without the environmental impact of shipping and traveling. Artists represented in this exhibition are from or make their work in Argentina, Australia, Cyprus, Finland, Germany, India, Iran, Israel, Italy, Japan, Montenegro, Norway, Poland, Russian Federation, Türkiye, the United Kingdom, and the United States.

Gallery

Shots Fired, Angela McHale (United States). Flameworked, Plasma Filled Glass.

Nature in the Future, Nevin Nagabi (Iran). Pate de verre and kiln formed window glass.

Surrender, Maria Torrendell (Uruguay). Printed and slumped glass over iron.

“A time to throw stones, a time to gather”, Irina Levina (Russian Federation/Montenegro). Glass, copper wire, beachcombed finds.

“Limpid, 2nd Life” – ring, Jeanne Sophie Aas (Norway). Hot shaped, cold worked and polished.

Anthology of the Anthropocene, Vol 3: Ascension, Kris Pitzer (United States). Up-cycled glass bottles, plastic trash bag, steel internal structure, lighting components, industrial hoisting equipment.

Let The Fun Be Gin, Catherine Newton (Australia). Bombay Sapphire gin bottles, with cast glass handles formed from the same source material.

Echoes of Nature, Sina Mendler (Germany). Fused and flame worked glass, metal.

Water’s Horizon, Jenna Efrein (United States). Casa Dragones, Don Julio, Clearly Canadian, Bombay Sapphire, Saratoga, Nexcited, resin, tempered glass.

Squall Line, Gregory Alliss (United Kingdom). Kiln cast glass.

Silent Call from Nature, Goksu Cinar Marshall (Türkiye). Cold worked recycled glass, recycled metal, recycled wood, and recycled cardboard.

Oceanic Whisper, Willi Haye (United States). Kiln cast recycled glass.

Thetis, Andrea Charalambides (Cyprus). Kiln cast and cold worked glass.

Care for the Creatures, Mayra Zambrano (United States). Neon, Mercy, tubing, Phosphorus coated tubing, electrodes, transformers, and GTO wire.

Wine Bracelet, Stephanie White (United States). Lampworked wine bottle glass beads and kumihimo braiding.

Iris, Mariana Sabbatella (Argentina). Recycled lens glass. Glass enamels. Decals. Ceramics.

The Marine Museum of Lost Potential – The Fluttering Ewer (Female), Julie Light (United Kingdom). Bullseye glass, upcycled glass, mixed media.

Truly Essentially, Junichiro Baba (Japan). Kiln formed glass.

Restoration., Lisbeth Biger (Israel). pate de verre in broken mold. Kiln formed.

Antinous, Ioannis Michaloudis (Cyprus). Silica aerogel, white LED lights.

Ozone Recovery, Nancy Wu and Jean Davis (United States). Century-old Landfill Glass, Hand-Built and Resined.

Memories of the Window — Perfume Bottle, Kokoro Yoshii (Japan). Cast window glass.

Second Life (Residues of Celebration), Harsh Nowlakha (India). Blown and sculpted bottle glass.

SOS (Save Our Sky), Ioannis Michalous and Simone Crestani (Italy). Borosilicate glass, silica aerogel.

Someday Soon, Samir Haurani (United States). Kiln-formed bottle glass with eggshell foaming agent.

Spores, Min Haeng Kang (United States). Kiln formed wine bottles.

Waste Glass Landscape, Jessamy Kelly (United Kingdom). Kiln cast turquoise bottle glass, diamond cut, 3D modelled and 3D printed model.

Run Boy, Diana Dyer (United States). Blown Glass, Powder Printed Kiln-formed Glass, Augmented Reality, Photoscanning, and Animation.

Recycling Narratives, Sweet Nothings, Hannah Gibson (United Kingdom). 100% recycled kiln cast insulin vials.

Peace is broken, Milla Johansson (Finland). Blown into a wooden mold; snow applied for surface texturing.

Broken to Become, Saman Kalantari (Iran/Italy). Blown glass inside a ceramic mold, cold-worked. The ceramic mold was thrown on the potter’s wheel.

Crystallization of Silence, Magdalena Zarychta (Poland). Reclaimed window glass (cut strips), aluminium (salvaged aluminium strip), paint.