Tell us about yourself.
In my role as a glass specialist based in South Wales, UK, I have dedicated 15 years to higher education, honing my expertise in stained and architectural glass, as well as contemporary glass techniques.
Simultaneously, my fascination with three-dimensional glass has been a constant passion. As my skills developed through the processing of flat glass for stained glass, I discovered the adaptability of methods like etching, glass painting, silver staining and various contemporary techniques. I firmly believe in the significant importance of recontextualizing stained glass for preserving and rendering the associated skill sets relevant in our time. This unique skill set, particularly evident in my sculptural work, accentuates the inherent distinctive qualities of my glass work.
What draws you to the material you work with?
My driving force revolves around the intricate processes involved in working with glass, considering it as my primary material. The stark contrast it offers in comparison to both raw and heavily processed materials captivates me. The continual fragility of glass adds an unforgiving aspect, keeping the creative process consistently absorbing.
What themes do you pursue in your work, and why have you chosen the processes that you use in your work?
I am hugely inspired by street art, urban decay, soundscapes, brutalist architecture, and industrial aesthetics. These influences play a pivotal role in shaping my artistic vision. I have two distinct approaches for the presentation of my work. The primary focus is on designing pieces for installation within contemporary galleries and exhibition spaces. Additionally, I create smaller-scale works specifically for swift installation and removal within the urban environment, drawing inspiration directly from the rapid turnaround of graffiti culture.
What is your dream project?
In the progression of my personal practice, my aim is to delve into the creation of intricate and large-scale glass sculptures. Using my mechanical and engineering skills, I envision fabricating systems that facilitate the transition from static to automated installations. Whether placed in gallery conditions or exterior spaces, this exploration is a dynamic avenue for my artistic expression.
Why are you a member of GAS?
Being a member of GAS gives me hope that I’ll be inspired to overcome hesitations and share my creations with the vibrant glass community.